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November 2005 Articles

Pavarotti: The Legend at 70
Sunday, November 6, 7 p.m.

Join us as we celebrate Luciano Pavarotti’s 70th birthday with a new profile of the life and career of the great tenor.

For this program, producer Jon Tolansky conducted an exclusive interview with Pavarotti at his summer home in Peasaro, Italy. This rare and in-depth conversation covers a wide range of topics, from Pavarotti’s life, career, and experiences with other legendary musicians, to inside stories about his recordings and operatic roles. He reflects on his greatest stage achievements, including Tonio (La Fille du Regiment), The Duke of Mantua (Rigoletto), King Gustavus (Un Ballo in Maschera), Canio (Pagliacci), Manrico (Il Trovatore), Rodolfo (La Boheme), Pinkerton (Madama Butterfly) and Calaf (Turandot).

The program also includes Signor Pavarotti singing concert repertoire including Verdi’s Requiem Mass, traditional Italian songs, selections from The Three Tenors concerts, and performances with luminaries like Herbert von Karajan, Carlos Kleiber, and Sir George Solti. Renee Fleming, Sir Edward Downs, Marilyn Horne, and others provide additional commentary and insight on the Pavarotti legend.

Tolansky delves into Pavarotti’s passions beyond the performance stage: his love of football and fine dining, and his extensive work for charity, including the Pavarotti Music Center in Mostar.

London-based producer Jon Tolansky also produced Renata Tebaldi: the Voice of An Angel, heard recently on WFIU. He was warmly received by Pavarotti, and the rapport established between the two is evident throughout the program, adding a special element to this unique audio portrait.

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The Silent Generation: From Saipan to Tokyo
Sunday, November 13, 8 p.m.

In commemoration of the 60th Anniversary of the end of World War II, this documentary gives a first-hand account of the last year of World War II in the Pacific. Combat veterans tell in gritty and emotional detail the stories that they kept pent up for decades.
The men came from all walks of life and all corners of the nation. After the war, they melted quietly back into civilian life and kept silent for decades. But as time grows short, they have been moved to speak with unflinching honesty of events that changed them forever. Their memories are not for the faint-hearted-here is a view of war from the foxhole.
These are some of the voices you'll hear:
Eugene "Bud" Clark, a pint-sized scrapper from Macon, Georgia mowed down Banzai warriors, watched mass suicide on Saipan, and was severely wounded on Iwo Jima. He returned home more persevering and disciplined than before and had a long career with Eastern Airlines.
Anthony Daddato lost his best friend to friendly fire and contracted dengue fever and malaria on Saipan. Complications led to tuberculosis, and he spent three embittered years in hospitals before a feisty nun's advice changed his outlook.
Giles McCoy went down with the Indianapolis in one of the worst naval disasters in history. When he returned home, he became a family doctor in rural Missouri, deciding a career in medicine was a way to save lives.
Host and producer Helen Borten knits their stories into a gripping, chronological whole, adding archival newscasts, reports from the battlefield, and recorded historical moments to create a vivid, sound-rich account of events as they happened.
The Silent Generation closes with the veterans' reflections on how combat affected their attitudes, identity, and lives. It chronicles the end of a global conflict as told by a handful of brave men.

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The Changing Face of Power
Part I: Sunday, November 13, 9 p.m.
Part II: Sunday, November 20, 9 p.m.

By the year 2050, the United States will no longer be the world's biggest economy. This is the prediction of Goldman Sachs economist Jim O'Neill. Several years ago, as globalization continued to unfold, O'Neill began to feel there was something significant about the way so many once-poor countries were developing. He asked his analysts to run a series of sophisticated projections based on everything known about how economies and societies develop, to try to see what the world would look like in 2050. The results surprised them all.
If their projections are on target, by the year 2050, not only will the United States no longer be the world's biggest economy, but, of the current top six (the G-6), only the U.S. and Japan will remain. The projections indicated that Brazil, Russia, India, and China-the "BRICs"-will be the future global economic powers.
The world of the BRICs would be different from the one most of us have grown up with: different global leaders, different brand names, maybe even different ethics in our corporations. We may see capitalism shaking hands with Confucianism, Taoism, or Buddhism.
In this program from the BBC's The Changing World, BBC reporter Peter Day asks O'Neill to draw up a new map of the world based on the study. What will it be like selling in this brave new marketplace? Will it mean newfound prosperity for millions? What could derail these predictions, and what will it be like to live in our world if they come true? What signs can we see in the BRIC countries that this future is already dawning?

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Inside Out

Inside Out documentaries from WBUR in Boston turn a topic inside out to give it context, perspective, and understanding.

The Kwaito Generation
Sunday, November 20, 8 p.m.

South Africa has changed tremendously in the last ten years. It's a young democracy with an overwhelmingly young population that came to age after apartheid. This generation's experience has been playing a huge role in shaping the new South Africa. And the music and literature that has defined this generation is known as Kwaito.
Sean Cole reports on how Kwaito transcended its musical beginnings to become a culture with influence on television, fashion, magazines, literature and politics. Unlike the imported American hip hop and house tracks thumping in the city's nightclubs, Kwaito is sung in the local vernacular: Zulu, as well as a slang language called totsi-taal. The lyrics range from party-all-the-time fare to head-on confrontations with the problems all of South Africa is facing in the wake of desegregation, such as AIDS, crime, poverty and xenophobia. Cole talks to the musicians, authors, culture commentators, and the youth about this vital part of South African life.

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The 2005 Third Coast Festival Broadcast
Sunday, November 27, 8 p.m.

Each fall, the Third Coast Festival/Richard H. Driehaus Foundation Competition brings the best new radio documentaries produced around the globe to America’s airwaves. This broadcast showcases the winners of the fifth annual competition, which were selected from a field of nearly 300 entries of all styles and lengths that represent radio at its finest—moving, insightful, surprising, even life changing.

Host Barbara Boagaev presents the winning entries and interviews their producers, who shed light on the creative process and provide insight into the making of their pieces. The works you’ll hear from include:

The Ring & I: The Passion, The Myth, The Mania explores how Wagner’s monumental Ring Cycle has permeated our culture, inspired passion, and invited controversy over the last 125 years.

A Map of the Sea tells the story of Newfoundland fisheries after the devastating loss of their main export, the cod; a loss that caused tens of thousands of Newfoundlanders to leave the island and entire communities to vanish.

Dear Birth Mother follows Suzanne, a single woman in her forties, as she adopts an African-American baby and adjusts to her new life, which includes attending workshops designed to “teach white people to raise kids of color.”

Weighing the Balance tells the story of James Lecraw, one of six men who were named in a public news conference staged by the Toronto Police as people who had purchased child pornography. Even though the charges were dropped, LeCraw lost his job, friends, and eventually took his own life.

Fifteen-year-old Rocky Tayeh weighs 393 pounds. In My Stuggle With Obesity, he records his struggle to lose  weight which, despite his siblings insults and his parents’ incentives of a laptop computer or $1,000, eludes him.

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November Community Events

WFIU is the media sponsor for the following events. Find more information on this and other activities on the calendar page of our Web site: www.wfiu.indiana.edu.

Columbus Philharmonic
“Music for the Soul”
First Christian Church
Saturday, November 12, 7:30 p.m. www.thecip.org

Featuring the Columbus Philharmonic Chorus. Schubert’s Symphony No. 5 in B flat Major, D. 485 and Brahms’ A German Requiem, op. 45. David Bowden conducts.

Musical Arts Youth Orchestra
Buskirk-Chumley Theater
Sunday, November 20, 8:00 p.m.
www.buskirkchumley.org

The MAYO is comprised of outstanding young area musicians directed by Thomas Loewenheim. In this concert they perform the Beethoven Fifth Symphony along with music by Mozart, Bruch, Weber, and the little-known Niels Gade. This is a particularly good concert for children, as the musicians are young people, and the music is well-known. Materials for teachers and parents are available on the MAYO Web site at www.bloomington.in.us/~mayo.

Terre Haute Symphony Orchestra
“Towering Tchaikovsky”
Saturday, November 19, 7:30 p.m.

Tchaikovsky’s powerful Symphony #6 is one of the most requested pieces in the Wabash Valley. Come hear this great masterpiece, as well as Michael Torke’s exciting Javelin, and Timothy Schorr performing Schumann’s familiar piano concerto in an evening filled with the most beautiful melodies, conducted by David Bowden.

Second Annual IU Men of Color Leadership Conference
Friday and Saturday, November 11-12

The purpose of this annual leadership conference is to empower men of color with the skills and knowledge needed to foster academic success, establish a support network, support the goal of graduation, and improve personal achievement. This year’s conference will expand beyond Indiana University to include student leaders from throughout Indiana and potential surrounding states. Opening Reception and Veteran’s Day Tribute takes place from 6–8 p.m. on Friday, November 11th in the Neal-Marshall Black Culture Center Grand Hall. Registration begins at 7 p.m. Conference sessions will run Saturday, November 12th from 9 a.m. to 4:30 p.m. in the Frangipani Room of the Indiana Memorial Union. All who are interested in learning more from this demographic of students are welcome to attend. www.indiana.edu/~moc/jome.html

Goran Krivokapic
Saturday, November 12, 8 p.m.
John Waldron Arts Center

Goran Krivokapic will perform on the classical guitar in a rare Bloomington appearance. This native of Yugoslavia has played with orchestras throughout the world and is the latest winner of the 22nd Annual International Solo Guitar competition. Produced by the Bloomington Classical Guitar Society.

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Dear Members,

Thank you! Your investment in WFIU makes public radio possible for thousands of listeners in our broadcast area. In this past year, you helped fund over 8,000 hours of programming that entertained, touched, and inspired.

From an unprecedented national election, to congressional debate on public broadcasting funding, to rebuilding after Hurricane Katrina, public radio was there to report and analyze. NPR provided ongoing coverage on issues vital to our democracy, such as the war, the economy, education, health, social security, among many others. This is the stuff public radio is made of, and it's no wonder that in the face of this summer's debate over congressional cuts, so many listeners welcomed the opportunity to remind their representatives that public radio and television are an important part of their lives.

WFIU also had stories to tell. In addition to the thousands of hours of locally programmed classical and jazz music, we heard from artists like David Baker, Herbie Hancock, Jaime Laredo, Menahem Pressler, and Sarah Caswell. Close to 100 arts interviews were conducted, and more than 50 plays and operas reviewed. This year the cinematic arts were once again represented when weekly movie reviews were added to our schedule.

The WFIU news department received 19 awards from professional news organizations, and once again, was the recipient of the prestigious Edward R. Murrow Award. We heard about the local school program that helps autistic teens communicate through computer software, the story of a local woman who waded through the wreckage of Hurricane Katrina, and the story of Iraqi Nationals who help train American soldiers in Indiana. On several mornings, listeners were delighted to wake up to a story on Morning Edition reported by a familiar WFIU voice ending with the WFIU tag line.

This was also a record year in reaching out to our communities. WFIU partnered with over 50 organizations to sponsor events and disseminate information. Over 2,000 announcements were read, informing listeners of services, concerts, events, and lectures. Our Web site now accepts public service announcement submissions to make it easier for groups to share information with listeners. This is our commitment to the growing needs of the non-profit service and cultural sectors. We're here to help build bridges that support a viable service community.

This year the installation of HD (high definition) radio was completed, supported in part through grants received from federal funding sources. A new audio compressor and a digital studio transmitter link were installed, and we upgraded our main production studio to an all-digital console, replacing the 20-year-old analog one. All these initiatives will provide a cleaner signal with greater dynamic range. More importantly, though, they pave the way for the secondary audio channel public radio has been long awaiting. When complete, this initiative will allow us to expand our programming to two channels, one for talk, and the other for music. It's important to note that funding for these technology upgrades came from the Corporation for Public Broadcasting (CPB) and the Public Telecommunications Facilities Program (PTFP), the same entities that were threatened this summer by congressional cuts.

The future is now at our doorstep. It brings options such as streaming, podcasting, and archiving. Though the traditional radio listener may not be a user of these delivery options, they have become standard communication tools for younger listeners weaned on on-demand technology. In the last year alone, we have noticed increased traffic on our archive sites, where programs such as Profiles, Harmonia, and Noon Edition are made available to listeners all over the world at any time. Imagine being able to hear an interview with Carrie Newcomer in Istanbul, at any time of the day or night!

Addressing these multiple challenges requires an additional investment in equipment, technology, personnel and training. This year we created the WFIU Future Fund-an opportunity for our listeners to ensure WFIU's future with major contributions that support technology, infrastructure, and programming initiatives. We welcome our Charter Members and invite you to consider joining this circle of friends, with a gift of $500 or more to WFIU or in combination of your gift to WTIU. It offers a special opportunity to help WFIU grow cultural and civic initiatives in a way that reaches more people and connects our communities.

Public radio makes a difference in our nation. Twenty-three million listeners attest to its success, and members like you make its future possible. WFIU's mission is to touch and teach-to shape meaning and promote culture-to inspire lives. We exist for you, and carry out our mission because of your financial commitment. I thank you for your generous support and ask you to invest again in WFIU during the 2005 fund drive. What you give to public radio returns to you not only in your own listening pleasure, but in the child who hears Mozart or Monk for the first time, the student who relies on an NPR report for a class assignment, or the aging listener who learns about a treatment from a medical program. This is the public radio experience that builds individuals, communities, and ultimately, our nation. I hope you take pride in your role in building this public institution, and encourage you to support WFIU generously with full confidence that your contribution is well invested in a vital local and national service.

WFIU looks forward to serving you!

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WFIU's Future Fund

We'd like to thank these donors who have increased their level of support by becoming Charter Members of the WFIU Future Fund. Their gifts come in many forms-direct gifts of support, stock, insurance policies and inclusion in wills. For information about helping WFIU build for the future by becoming a Charter Member of the WFIU Future Fund, contact Judy Witt: 812-855-2935.

WFIU Charter Donors:

Anonymous (29)
James and Alexandra Ackerman
Becky Cape
Fred and Sandra Churchill
Roland and Susan Cote
Anna Marie and Matthew Dalle-Ave
Robert and Elizabeth DeVoe
Mrs. C. Perry Griffith
Ken and Diana Gros Louis
Harold and Dorothy Hammel
Ross Jennings
Stephen and Diane Keucher
Robert Kaplowitz
Christina Kuzmych
Bill and Kate Kroll
Jeanette Calkins Marchant
Celeste and Mike McGregor
Perry and Nancy Metz
Lucile Moore
William Murphy
John and Susan Nash
Dr. Matthew Parmenter
PYNCO, Inc.
James and Barbara Randall
Frederick Risinger
Debora Shaw and Charles Davis
Maurice and Linda Smith
Ron and Sally Stephenson
Dr. L. Van Zee
Mary and Joseph Walker
Eva Zogorski

WFIU Planned Gifts and Bequests:

Anonymous (1)
James and Alexandra Ackerman
Ross Allen
Ken and Joanne Barnes
Jeff and Pam Davidson family
Helen McMahon
Perry and Nancy Metz
Walt Niekamp

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Musical Highlights for November
by Adam P. Schweigert

Artist of the Month
For the month of November, WFIU features several recordings by acclaimed violinist and IU professor Stanley Ritchie. Ritchie began his career as a modern violinist, holding such prestigious posts as concertmaster of the New York City Opera and associate concertmaster with the Metropolitan Opera Orchestra. He then turned his attention primarily to performance on period instruments. He has since appeared as conductor and violin soloist with such well-known period ensembles as the Academy of Ancient Music, Philharmonia Baroque Orchestra, Tafelmusik, and the Handel and Haydn Society Orchestra, in addition to being a regular member of Duo Geminiani (with harpsichordist Elizabeth Wright), the Mozartean Players, and the ensemble Three Parts Upon a Ground. This month, we'll hear Ritchie perform music of Schubert, Handel, Bach, and Biber. We begin on Wednesday, November 2nd at 7:07 p.m. as Ritchie is joined by fortepianist Steven Lubin and cellist Myron Lutzke for a performance of Schubert's Piano Trio in B-flat, Op.99, D.898. Then, on Monday, November 14th at 7:07 p.m., and again on Friday, November 19th at 3:10 p.m., tune in to hear Ritchie perform Heinrich Biber's Passacaglia for Solo Violin. The following week, on Wednesday, November 23rd at 7:07 p.m., join us for Handel's Concerto Grosso in D, Op.6 No.5. For that performance, Ritchie is joined by violinist Daniel Stepner, cellist Myron Lutzke, and the Handel and Haydn Society, all under the direction of Christopher Hogwood. And finally, tune in to hear Bach's Violin Sonata in c minor, BWV 1017 in a performance by Duo Geminiani. This live recording from a concert celebrating the ensemble's 30th anniversary can be heard on Monday, November 28th at 7:07 p.m. and again on Tuesday, November 29th at 10:00 a.m.

New Releases
This month WFIU highlights four exciting new releases. First up is a new disc on the Naïve Classics label of music by little-known French romantic composer Louise Farrenc. We'll hear her Variations Concertante for Violin and Piano, Op. 20 on Tuesday, November 1st at 11:13 p.m., her Nonette for Winds and Strings in E-flat, Op. 38 on Wednesday, November 16th at 7:07 p.m., and her Trio for Clarinet, Cello, and Piano in E-flat, Op. 44 on Thursday, November 24th at 7:07 p.m. Then we'll turn to a new disc on the Concordance label featuring period instrument ensemble Chrome in performances of three piano trios with flute by Franz Joseph Haydn. On Wednesday, November 2nd at 10:12 p.m., tune in for Haydn's Piano Trio in F, Hob. XV:17. On Saturday, November 19th at 12:09 p.m. it's the Piano Trio in G, Hob. XV:15, and finally, on Wednesday, November 30th at 7:07 p.m. we'll hear the Piano Trio in D, Hob. XV:16. Next up is music of Johann David Heinichen from a new disc by Epocca Barocca on the CPO label. On Thursday, November 3rd at 7:07 p.m. join us for Heinichen's Sonata á 2 for Oboe and Bassoon. Then on Wednesday, November 16th, also at 7:07 p.m., Heinichen's Concerto á 4 for Oboe, Bassoon, Cello, and Harpsichord; and on Tuesday, November 29th at 11:13 p.m., hear his Sonata á 3 for Oboe, Violin, and Bassoon. And finally, a disc from EMI Classics featuring the Berlin Philharmonic and Sir Simon Rattle in performances of four tone poems by Antonin Dvorak. We'll start off on Thursday, November 3rd, at 7:07 p.m. with Dvorak's The Water Goblin, Op. 107. Then we move on to The Wood Dove, Op. 110 on Monday, November 14th at 7:07 p.m., The Golden Spinning Wheel, Op. 109 on Wednesday, November 23rd at 10:12 p.m., and finally, The Noonday Witch, Op. 108 on Tuesday, November 29th at 11:13 p.m.

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November Jazz Highlights

WFIU is committed to playing jazz, past and present, local and global, with programs on the air six days a week, including Joe Bourne's weekday show Just You and Me and our weekend jazz shows-Piano Jazz, The Big Bands, Afterglow, and Night Lights.

Once a year we ask you, the listener, to make a commitment to WFIU and to jazz by becoming a member. What do you get in return? You get the satisfaction of knowing that you've helped secure the status of America's greatest art form at your own public radio station. You get Joe Bourne every weekday afternoon, with friendly talk, interesting guests, and good music. You get Marion McPartland every Friday night at the keyboards, swapping stories and sharing tunes with other jazz artists. You get the swing and romance of The Big Bands and Afterglow, and the late-night-Saturday sounds and historical explorations of Portraits in Blue and Night Lights.

We produce and carry these shows because we know that many listeners share our love for a music that reflects life in all of its many complicated and profound aspects-a music that deserves a home on the airwaves. WFIU is that home, and we hope that you'll join us in making it an even better and stronger place for jazz and the blues to live, by becoming a member during our November fund drive.

If you pledge at the $80 or higher level, you will also get a thank-you gift CD. We're offering one of jazz history's most astonishing finds-the 1957 Thelonious Monk/John Coltrane Carnegie Hall concert, recorded by the Voice of America and discovered only recently by the Library of Congress. The concert is now available on Blue Note Records, and it can be yours if you call 855-0811 or 1-800-662-3311, or pledge on the Web at wfiu.indiana.edu. We will have many other CDs and thank you gifts available-you can view them on the Web site, including more jazz selections at justyouandme.indiana.edu. The WFIU fund-drive begins Saturday, November 5, so be sure to call in during your favorite WFIU jazz or blues program to pledge your support. We hope to hear from you soon!

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Profiles
Sundays at 7 p.m.

November 6 - Pavarotti: The Legend at 70

November 13 - Bob Shanks
Bob Shanks is a TV producer and writer, novelist, and playwright. He grew up in Lebanon, Indiana and received a degree in Radio and Television from IU in 1954. He went on to a long career in television during which time he received two Emmy awards. As an executive for many years with ABC, he created and developed "Good Morning America" and "20/20." His other credits include producing "The Tonight Show" with Jack Paar, "The Merv Griffin Show," "Candid Camera," and "The Great American Dream Machine" for PBS. His books include "The Cool Fire: How to Make It in Television" and "The Primal Screen: How to Write, Sell, and Produce Movies for Television." He spoke with WFIU's Adam Schwartz. (repeat)

November 20 - St Louis Brass Quintet
Formed in the early 1960s, the Saint Louis Brass Quintet is one of America's longest standing brass quintets. The quintet performs the entire spectrum of music for brass, from the works of today's composers to Baroque and Renaissance music transcribed for modern instruments. George Walker spoke with the quintet about the group's founding, their early and continuing commitment to education, and their repertoire of transcriptions and original pieces. They also discussed the role of jazz in their music, and how they rehearse with each member living in a different city. The hour-long interview is laced with humor, as the group trades jibes with horn player Thomas Bacon; tuba player and IU Professor of Music Daniel Perantoni jocularly argues over who plays the superior instrument, and trumpet player Ray Sasaki jokes about the brass player's search for the perfect mouthpiece. (repeat)

November 27 - Jason Wilber
A Bloomington native, Jason Wilber has toured throughout the U.S. and Europe, playing a variety of instruments while backing up folk, rock, and country artists such as Carrie Newcomer, Todd Snider, Hal Ketchum, Kim Fox, Greg Trooper, Tim Grimm, and Iris DeMent. Since 1996, he has played lead guitar for renowned songwriter John Prine. His work with Prine includes two Grammy nominated albums: "In Spite of Ourselves," which spent 32 weeks on the Billboard Country Charts, and Prine's newest release, "Fair & Square." In 1988 Wilber released a CD of his own songs, "Lost In Your Hometown," and followed that up in 2000 with "Behind the Midway." This hour-long interview with Shana Ritter includes Wilber performing some of his songs. (repeat)

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Broadcasts from the IU School of Music

BIBER-Passacaglia for Solo Violin; Stanley Ritchie, vln.
Airs: 11/14 at 7 p.m.,11/15 at 10 a.m.,11/18 at 3 p.m.

FINZI-A YOUNG MAN'S EXHORTATION: Selections; Brian Horne, t.; Gary Arvin, p.
Airs: 11/21 at 7 p.m.,11/122 at 10 a.m.,11/25 at 3 p.m.

BACH-Violin Sonata in c, BWV 1017; Duo Geminiani
Airs: 11/28 at 7 p.m.,11/29 at 10 a.m.,12/2 at 3 p.m.

ORREGO-SALAS-La Ciudad Celeste; Benjamin Eley, bar.; Carmen Helena Téllez/IU Contemporary Vocal Ens.
Airs: 11/17 at 7:07 p.m.

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WFIU
Created and maintained by Michael Toler
Last updated: Monday, October 31, 2005
Copyright 2005, The Trustees of
Indiana University