
November 2005 Articles
Pavarotti: The Legend at 70
Sunday, November 6, 7 p.m.
Join us as we celebrate Luciano Pavarotti’s 70th
birthday with a new profile of the life and career of the great
tenor.
For this program, producer
Jon Tolansky conducted an exclusive interview with Pavarotti at
his summer home in Peasaro, Italy. This rare and in-depth conversation
covers a wide range of topics, from Pavarotti’s life, career, and
experiences with other legendary musicians, to inside stories about
his recordings and operatic roles. He reflects on his greatest stage
achievements, including Tonio (La Fille du Regiment), The
Duke of Mantua (Rigoletto), King Gustavus (Un Ballo in
Maschera), Canio (Pagliacci), Manrico (Il Trovatore),
Rodolfo (La Boheme), Pinkerton (Madama Butterfly)
and Calaf (Turandot).
The program also includes
Signor Pavarotti singing concert repertoire including Verdi’s Requiem
Mass, traditional Italian songs, selections from The Three Tenors
concerts, and performances with luminaries like Herbert von Karajan,
Carlos Kleiber, and Sir George Solti. Renee Fleming, Sir Edward
Downs, Marilyn Horne, and others provide additional commentary and
insight on the Pavarotti legend.
Tolansky delves into Pavarotti’s
passions beyond the performance stage: his love of football and
fine dining, and his extensive work for charity, including the Pavarotti
Music Center in Mostar.
London-based producer
Jon Tolansky also produced Renata Tebaldi: the Voice of An Angel,
heard recently on WFIU. He was warmly received by Pavarotti, and
the rapport established between the two is evident throughout the
program, adding a special element to this unique audio portrait.
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The Silent Generation: From Saipan
to Tokyo
Sunday, November 13, 8 p.m.
In commemoration of the 60th Anniversary of the end of World War
II, this documentary gives a first-hand account of the last year
of World War II in the Pacific. Combat veterans tell in gritty and
emotional detail the stories that they kept pent up for decades.
The men came from all walks of life and all corners of the nation.
After the war, they melted quietly back into civilian life and kept
silent for decades. But as time grows short, they have been moved
to speak with unflinching honesty of events that changed them forever.
Their memories are not for the faint-hearted-here is a view of war
from the foxhole.
These are some of the voices you'll hear:
Eugene "Bud" Clark, a pint-sized scrapper from Macon,
Georgia mowed down Banzai warriors, watched mass suicide on Saipan,
and was severely wounded on Iwo Jima. He returned home more persevering
and disciplined than before and had a long career with Eastern Airlines.
Anthony Daddato lost his best friend to friendly fire and contracted
dengue fever and malaria on Saipan. Complications led to tuberculosis,
and he spent three embittered years in hospitals before a feisty
nun's advice changed his outlook.
Giles McCoy went down with the Indianapolis in one of the worst
naval disasters in history. When he returned home, he became a family
doctor in rural Missouri, deciding a career in medicine was a way
to save lives.
Host and producer Helen Borten knits their stories into a gripping,
chronological whole, adding archival newscasts, reports from the
battlefield, and recorded historical moments to create a vivid,
sound-rich account of events as they happened.
The Silent Generation closes with the veterans' reflections on how
combat affected their attitudes, identity, and lives. It chronicles
the end of a global conflict as told by a handful of brave men.
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The Changing Face of Power
Part I: Sunday, November 13, 9 p.m.
Part II: Sunday, November 20, 9 p.m.
By the year 2050, the United States will no longer be the world's
biggest economy. This is the prediction of Goldman Sachs economist
Jim O'Neill. Several years ago, as globalization continued to unfold,
O'Neill began to feel there was something significant about the
way so many once-poor countries were developing. He asked his analysts
to run a series of sophisticated projections based on everything
known about how economies and societies develop, to try to see what
the world would look like in 2050. The results surprised them all.
If their projections are on target, by the year 2050, not only will
the United States no longer be the world's biggest economy, but,
of the current top six (the G-6), only the U.S. and Japan will remain.
The projections indicated that Brazil, Russia, India, and China-the
"BRICs"-will be the future global economic powers.
The world of the BRICs would be different from the one most of us
have grown up with: different global leaders, different brand names,
maybe even different ethics in our corporations. We may see capitalism
shaking hands with Confucianism, Taoism, or Buddhism.
In this program from the BBC's The Changing World, BBC reporter
Peter Day asks O'Neill to draw up a new map of the world based on
the study. What will it be like selling in this brave new marketplace?
Will it mean newfound prosperity for millions? What could derail
these predictions, and what will it be like to live in our world
if they come true? What signs can we see in the BRIC countries that
this future is already dawning?
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Inside Out
Inside Out documentaries from WBUR in Boston turn a topic inside
out to give it context, perspective, and understanding.
The Kwaito Generation
Sunday, November 20, 8 p.m.
South Africa has changed tremendously in the last ten years. It's
a young democracy with an overwhelmingly young population that came
to age after apartheid. This generation's experience has been playing
a huge role in shaping the new South Africa. And the music and literature
that has defined this generation is known as Kwaito.
Sean Cole reports on how Kwaito transcended its musical beginnings
to become a culture with influence on television, fashion, magazines,
literature and politics. Unlike the imported American hip hop and
house tracks thumping in the city's nightclubs, Kwaito is sung in
the local vernacular: Zulu, as well as a slang language called totsi-taal.
The lyrics range from party-all-the-time fare to head-on confrontations
with the problems all of South Africa is facing in the wake of desegregation,
such as AIDS, crime, poverty and xenophobia. Cole talks to the musicians,
authors, culture commentators, and the youth about this vital part
of South African life.
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The
2005 Third Coast Festival Broadcast
Sunday, November 27, 8 p.m.
Each fall, the Third Coast Festival/Richard H.
Driehaus Foundation Competition brings the best new radio documentaries
produced around the globe to America’s airwaves. This broadcast
showcases the winners of the fifth annual competition, which were
selected from a field of nearly 300 entries of all styles and
lengths that represent radio at its finest—moving, insightful,
surprising, even life changing.
Host Barbara Boagaev
presents the winning entries and interviews their producers, who
shed light on the creative process and provide insight into the
making of their pieces. The works you’ll hear from include:
The Ring & I:
The Passion, The Myth, The Mania explores how Wagner’s monumental
Ring Cycle has permeated our culture, inspired passion,
and invited controversy over the last 125 years.
A Map of the Sea
tells the story of Newfoundland fisheries after the devastating
loss of their main export, the cod; a loss that caused tens of
thousands of Newfoundlanders to leave the island and entire communities
to vanish.
Dear Birth Mother
follows Suzanne, a single woman in her forties, as she adopts
an African-American baby and adjusts to her new life, which includes
attending workshops designed to “teach white people to raise kids
of color.”
Weighing the Balance
tells the story of James Lecraw, one of six men who were named
in a public news conference staged by the Toronto Police as people
who had purchased child pornography. Even though the charges were
dropped, LeCraw lost his job, friends, and eventually took his
own life.
Fifteen-year-old Rocky
Tayeh weighs 393 pounds. In My Stuggle With Obesity, he
records his struggle to lose weight which, despite his siblings insults and
his parents’ incentives of a laptop computer or $1,000, eludes
him.
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November Community Events
WFIU is the media sponsor for the following events.
Find more information on this and other activities on the calendar
page of our Web site: www.wfiu.indiana.edu.
Columbus Philharmonic
“Music for the Soul”
First Christian Church
Saturday, November 12, 7:30 p.m. www.thecip.org
Featuring the Columbus Philharmonic Chorus. Schubert’s
Symphony No. 5 in B flat Major, D. 485 and Brahms’ A
German Requiem, op. 45. David Bowden conducts.
Musical Arts Youth Orchestra
Buskirk-Chumley Theater
Sunday, November 20, 8:00 p.m.
www.buskirkchumley.org
The MAYO is comprised of outstanding young area
musicians directed by Thomas Loewenheim. In this concert they
perform the Beethoven Fifth Symphony along with music by Mozart,
Bruch, Weber, and the little-known Niels Gade. This is a particularly
good concert for children, as the musicians are young people,
and the music is well-known. Materials for teachers and parents
are available on the MAYO Web site at www.bloomington.in.us/~mayo.
Terre Haute Symphony Orchestra
“Towering Tchaikovsky”
Saturday, November 19, 7:30 p.m.
Tchaikovsky’s powerful Symphony #6 is
one of the most requested pieces in the Wabash Valley. Come hear
this great masterpiece, as well as Michael Torke’s exciting Javelin,
and Timothy Schorr performing Schumann’s familiar piano concerto
in an evening filled with the most beautiful melodies, conducted
by David Bowden.
Second Annual IU Men of Color Leadership Conference
Friday and Saturday, November 11-12
The purpose of this annual leadership conference
is to empower men of color with the skills and knowledge needed
to foster academic success, establish a support network, support
the goal of graduation, and improve personal achievement. This
year’s conference will expand beyond Indiana University to include
student leaders from throughout Indiana and potential surrounding
states. Opening Reception and Veteran’s Day Tribute takes place
from 6–8 p.m. on Friday, November 11th in the Neal-Marshall Black
Culture Center Grand Hall. Registration begins at 7 p.m. Conference
sessions will run Saturday, November 12th from 9 a.m. to 4:30
p.m. in the Frangipani Room of the Indiana Memorial Union. All
who are interested in learning more from this demographic of students
are welcome to attend. www.indiana.edu/~moc/jome.html
Goran Krivokapic
Saturday, November 12, 8 p.m.
John Waldron Arts Center
Goran Krivokapic will perform on the classical
guitar in a rare Bloomington appearance. This native of Yugoslavia
has played with orchestras throughout the world and is the latest
winner of the 22nd Annual International Solo Guitar competition.
Produced by the Bloomington Classical Guitar Society.
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Dear Members,
Thank you! Your investment in WFIU makes public radio possible
for thousands of listeners in our broadcast area. In this past year,
you helped fund over 8,000 hours of programming that entertained,
touched, and inspired.
From an unprecedented national election, to congressional debate
on public broadcasting funding, to rebuilding after Hurricane Katrina,
public radio was there to report and analyze. NPR provided ongoing
coverage on issues vital to our democracy, such as the war, the
economy, education, health, social security, among many others.
This is the stuff public radio is made of, and it's no wonder that
in the face of this summer's debate over congressional cuts, so
many listeners welcomed the opportunity to remind their representatives
that public radio and television are an important part of their
lives.
WFIU also had stories to tell. In addition to the thousands of
hours of locally programmed classical and jazz music, we heard from
artists like David Baker, Herbie Hancock, Jaime Laredo, Menahem
Pressler, and Sarah Caswell. Close to 100 arts interviews were conducted,
and more than 50 plays and operas reviewed. This year the cinematic
arts were once again represented when weekly movie reviews were
added to our schedule.
The WFIU news department received 19 awards from professional news
organizations, and once again, was the recipient of the prestigious
Edward R. Murrow Award. We heard about the local school program
that helps autistic teens communicate through computer software,
the story of a local woman who waded through the wreckage of Hurricane
Katrina, and the story of Iraqi Nationals who help train American
soldiers in Indiana. On several mornings, listeners were delighted
to wake up to a story on Morning Edition reported by a familiar
WFIU voice ending with the WFIU tag line.
This was also a record year in reaching out to our communities.
WFIU partnered with over 50 organizations to sponsor events and
disseminate information. Over 2,000 announcements were read, informing
listeners of services, concerts, events, and lectures. Our Web site
now accepts public service announcement submissions to make it easier
for groups to share information with listeners. This is our commitment
to the growing needs of the non-profit service and cultural sectors.
We're here to help build bridges that support a viable service community.
This year the installation of HD (high definition) radio was completed,
supported in part through grants received from federal funding sources.
A new audio compressor and a digital studio transmitter link were
installed, and we upgraded our main production studio to an all-digital
console, replacing the 20-year-old analog one. All these initiatives
will provide a cleaner signal with greater dynamic range. More importantly,
though, they pave the way for the secondary audio channel public
radio has been long awaiting. When complete, this initiative will
allow us to expand our programming to two channels, one for talk,
and the other for music. It's important to note that funding for
these technology upgrades came from the Corporation for Public Broadcasting
(CPB) and the Public Telecommunications Facilities Program (PTFP),
the same entities that were threatened this summer by congressional
cuts.
The future is now at our doorstep. It brings options such as streaming,
podcasting, and archiving. Though the traditional radio listener
may not be a user of these delivery options, they have become standard
communication tools for younger listeners weaned on on-demand technology.
In the last year alone, we have noticed increased traffic on our
archive sites, where programs such as Profiles, Harmonia, and Noon
Edition are made available to listeners all over the world at any
time. Imagine being able to hear an interview with Carrie Newcomer
in Istanbul, at any time of the day or night!
Addressing these multiple challenges requires an additional investment
in equipment, technology, personnel and training. This year we created
the WFIU Future Fund-an opportunity for our listeners to ensure
WFIU's future with major contributions that support technology,
infrastructure, and programming initiatives. We welcome our Charter
Members and invite you to consider joining this circle of friends,
with a gift of $500 or more to WFIU or in combination of your gift
to WTIU. It offers a special opportunity to help WFIU grow cultural
and civic initiatives in a way that reaches more people and connects
our communities.
Public radio makes a difference in our nation. Twenty-three million
listeners attest to its success, and members like you make its future
possible. WFIU's mission is to touch and teach-to shape meaning
and promote culture-to inspire lives. We exist for you, and carry
out our mission because of your financial commitment. I thank you
for your generous support and ask you to invest again in WFIU during
the 2005 fund drive. What you give to public radio returns to you
not only in your own listening pleasure, but in the child who hears
Mozart or Monk for the first time, the student who relies on an
NPR report for a class assignment, or the aging listener who learns
about a treatment from a medical program. This is the public radio
experience that builds individuals, communities, and ultimately,
our nation. I hope you take pride in your role in building this
public institution, and encourage you to support WFIU generously
with full confidence that your contribution is well invested in
a vital local and national service.
WFIU looks forward to serving you!
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WFIU's Future Fund
We'd like to thank these donors who have increased their level
of support by becoming Charter Members of the WFIU Future Fund.
Their gifts come in many forms-direct gifts of support, stock, insurance
policies and inclusion in wills. For information about helping WFIU
build for the future by becoming a Charter Member of the WFIU Future
Fund, contact Judy Witt: 812-855-2935.
WFIU Charter Donors:
Anonymous (29)
James and Alexandra Ackerman
Becky Cape
Fred and Sandra Churchill
Roland and Susan Cote
Anna Marie and Matthew Dalle-Ave
Robert and Elizabeth DeVoe
Mrs. C. Perry Griffith
Ken and Diana Gros Louis
Harold and Dorothy Hammel
Ross Jennings
Stephen and Diane Keucher
Robert Kaplowitz
Christina Kuzmych
Bill and Kate Kroll
Jeanette Calkins Marchant
Celeste and Mike McGregor
Perry and Nancy Metz
Lucile Moore
William Murphy
John and Susan Nash
Dr. Matthew Parmenter
PYNCO, Inc.
James and Barbara Randall
Frederick Risinger
Debora Shaw and Charles Davis
Maurice and Linda Smith
Ron and Sally Stephenson
Dr. L. Van Zee
Mary and Joseph Walker
Eva Zogorski
WFIU Planned Gifts and Bequests:
Anonymous (1)
James and Alexandra Ackerman
Ross Allen
Ken and Joanne Barnes
Jeff and Pam Davidson family
Helen McMahon
Perry and Nancy Metz
Walt Niekamp
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Musical Highlights for November
by Adam P. Schweigert
Artist of the Month
For the month of November, WFIU features several recordings by acclaimed
violinist and IU professor Stanley Ritchie. Ritchie began his career
as a modern violinist, holding such prestigious posts as concertmaster
of the New York City Opera and associate concertmaster with the
Metropolitan Opera Orchestra. He then turned his attention primarily
to performance on period instruments. He has since appeared as conductor
and violin soloist with such well-known period ensembles as the
Academy of Ancient Music, Philharmonia Baroque Orchestra, Tafelmusik,
and the Handel and Haydn Society Orchestra, in addition to being
a regular member of Duo Geminiani (with harpsichordist Elizabeth
Wright), the Mozartean Players, and the ensemble Three Parts Upon
a Ground. This month, we'll hear Ritchie perform music of Schubert,
Handel, Bach, and Biber. We begin on Wednesday, November 2nd at
7:07 p.m. as Ritchie is joined by fortepianist Steven Lubin and
cellist Myron Lutzke for a performance of Schubert's Piano Trio
in B-flat, Op.99, D.898. Then, on Monday, November 14th at 7:07
p.m., and again on Friday, November 19th at 3:10 p.m., tune in to
hear Ritchie perform Heinrich Biber's Passacaglia for Solo Violin.
The following week, on Wednesday, November 23rd at 7:07 p.m., join
us for Handel's Concerto Grosso in D, Op.6 No.5. For that performance,
Ritchie is joined by violinist Daniel Stepner, cellist Myron Lutzke,
and the Handel and Haydn Society, all under the direction of Christopher
Hogwood. And finally, tune in to hear Bach's Violin Sonata in c
minor, BWV 1017 in a performance by Duo Geminiani. This live recording
from a concert celebrating the ensemble's 30th anniversary can be
heard on Monday, November 28th at 7:07 p.m. and again on Tuesday,
November 29th at 10:00 a.m.
New Releases
This month WFIU highlights four exciting new releases. First up
is a new disc on the Naïve Classics label of music by little-known
French romantic composer Louise Farrenc. We'll hear her Variations
Concertante for Violin and Piano, Op. 20 on Tuesday, November 1st
at 11:13 p.m., her Nonette for Winds and Strings in E-flat, Op.
38 on Wednesday, November 16th at 7:07 p.m., and her Trio for Clarinet,
Cello, and Piano in E-flat, Op. 44 on Thursday, November 24th at
7:07 p.m. Then we'll turn to a new disc on the Concordance label
featuring period instrument ensemble Chrome in performances of three
piano trios with flute by Franz Joseph Haydn. On Wednesday, November
2nd at 10:12 p.m., tune in for Haydn's Piano Trio in F, Hob. XV:17.
On Saturday, November 19th at 12:09 p.m. it's the Piano Trio in
G, Hob. XV:15, and finally, on Wednesday, November 30th at 7:07
p.m. we'll hear the Piano Trio in D, Hob. XV:16. Next up is music
of Johann David Heinichen from a new disc by Epocca Barocca on the
CPO label. On Thursday, November 3rd at 7:07 p.m. join us for Heinichen's
Sonata á 2 for Oboe and Bassoon. Then on Wednesday, November
16th, also at 7:07 p.m., Heinichen's Concerto á 4 for Oboe,
Bassoon, Cello, and Harpsichord; and on Tuesday, November 29th at
11:13 p.m., hear his Sonata á 3 for Oboe, Violin, and Bassoon.
And finally, a disc from EMI Classics featuring the Berlin Philharmonic
and Sir Simon Rattle in performances of four tone poems by Antonin
Dvorak. We'll start off on Thursday, November 3rd, at 7:07 p.m.
with Dvorak's The Water Goblin, Op. 107. Then we move on to The
Wood Dove, Op. 110 on Monday, November 14th at 7:07 p.m., The Golden
Spinning Wheel, Op. 109 on Wednesday, November 23rd at 10:12 p.m.,
and finally, The Noonday Witch, Op. 108 on Tuesday, November 29th
at 11:13 p.m.
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November Jazz Highlights
WFIU is committed to playing jazz, past and present, local and
global, with programs on the air six days a week, including Joe
Bourne's weekday show Just You and Me and our weekend jazz shows-Piano
Jazz, The Big Bands, Afterglow, and Night Lights.
Once a year we ask you, the listener, to make a commitment to WFIU
and to jazz by becoming a member. What do you get in return? You
get the satisfaction of knowing that you've helped secure the status
of America's greatest art form at your own public radio station.
You get Joe Bourne every weekday afternoon, with friendly talk,
interesting guests, and good music. You get Marion McPartland every
Friday night at the keyboards, swapping stories and sharing tunes
with other jazz artists. You get the swing and romance of The Big
Bands and Afterglow, and the late-night-Saturday sounds and historical
explorations of Portraits in Blue and Night Lights.
We produce and carry these shows because we know that many listeners
share our love for a music that reflects life in all of its many
complicated and profound aspects-a music that deserves a home on
the airwaves. WFIU is that home, and we hope that you'll join us
in making it an even better and stronger place for jazz and the
blues to live, by becoming a member during our November fund drive.
If you pledge at the $80 or higher level, you will also get a thank-you
gift CD. We're offering one of jazz history's most astonishing finds-the
1957 Thelonious Monk/John Coltrane Carnegie Hall concert, recorded
by the Voice of America and discovered only recently by the Library
of Congress. The concert is now available on Blue Note Records,
and it can be yours if you call 855-0811 or 1-800-662-3311, or pledge
on the Web at wfiu.indiana.edu. We will have many other CDs and
thank you gifts available-you can view them on the Web site, including
more jazz selections at justyouandme.indiana.edu. The WFIU fund-drive
begins Saturday, November 5, so be sure to call in during your favorite
WFIU jazz or blues program to pledge your support. We hope to hear
from you soon!
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Profiles
Sundays at 7 p.m.
November 6 - Pavarotti: The Legend at 70
November 13 - Bob Shanks
Bob Shanks is a TV producer and writer, novelist, and playwright.
He grew up in Lebanon, Indiana and received a degree in Radio and
Television from IU in 1954. He went on to a long career in television
during which time he received two Emmy awards. As an executive for
many years with ABC, he created and developed "Good Morning
America" and "20/20." His other credits include producing
"The Tonight Show" with Jack Paar, "The Merv Griffin
Show," "Candid Camera," and "The Great American
Dream Machine" for PBS. His books include "The Cool Fire:
How to Make It in Television" and "The Primal Screen:
How to Write, Sell, and Produce Movies for Television." He
spoke with WFIU's Adam Schwartz. (repeat)
November 20 - St Louis Brass Quintet
Formed in the early 1960s, the Saint Louis Brass Quintet is
one of America's longest standing brass quintets. The quintet performs
the entire spectrum of music for brass, from the works of today's
composers to Baroque and Renaissance music transcribed for modern
instruments. George Walker spoke with the quintet about the group's
founding, their early and continuing commitment to education, and
their repertoire of transcriptions and original pieces. They also
discussed the role of jazz in their music, and how they rehearse
with each member living in a different city. The hour-long interview
is laced with humor, as the group trades jibes with horn player
Thomas Bacon; tuba player and IU Professor of Music Daniel Perantoni
jocularly argues over who plays the superior instrument, and trumpet
player Ray Sasaki jokes about the brass player's search for the
perfect mouthpiece. (repeat)
November 27 - Jason Wilber
A Bloomington native, Jason Wilber has toured throughout the
U.S. and Europe, playing a variety of instruments while backing
up folk, rock, and country artists such as Carrie Newcomer, Todd
Snider, Hal Ketchum, Kim Fox, Greg Trooper, Tim Grimm, and Iris
DeMent. Since 1996, he has played lead guitar for renowned songwriter
John Prine. His work with Prine includes two Grammy nominated albums:
"In Spite of Ourselves," which spent 32 weeks on the Billboard
Country Charts, and Prine's newest release, "Fair & Square."
In 1988 Wilber released a CD of his own songs, "Lost In Your
Hometown," and followed that up in 2000 with "Behind the
Midway." This hour-long interview with Shana Ritter includes
Wilber performing some of his songs. (repeat)
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Broadcasts from the IU School of
Music
BIBER-Passacaglia for Solo Violin; Stanley Ritchie, vln.
Airs: 11/14 at 7 p.m.,11/15 at 10 a.m.,11/18 at 3 p.m.
FINZI-A YOUNG MAN'S EXHORTATION: Selections; Brian Horne, t.; Gary
Arvin, p.
Airs: 11/21 at 7 p.m.,11/122 at 10 a.m.,11/25 at 3 p.m.
BACH-Violin Sonata in c, BWV 1017; Duo Geminiani
Airs: 11/28 at 7 p.m.,11/29 at 10 a.m.,12/2 at 3 p.m.
ORREGO-SALAS-La Ciudad Celeste; Benjamin Eley, bar.; Carmen Helena
Téllez/IU Contemporary Vocal Ens.
Airs: 11/17 at 7:07 p.m.
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WFIU
Created and maintained by Michael
Toler
Last updated:
Monday, October 31, 2005
Copyright 2005, The Trustees of
Indiana
University
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